A graphical illustration of the world of social networks.
Link: National Geographic Magazine
Wednesday, March 24, 2010
Monday, March 22, 2010
Sunday, March 21, 2010
Saturday, March 13, 2010
Photography | Lynsey Addario
A wide variety of excellent work from photojournalist Lynsey Addario.
Link: lynsey addario, photographer
Link: lynsey addario, photographer
Photography | Izabella Demavlys, "Without a face"
Powerful \ Troubling.
"In the fall of 2009 I left for Pakistan to start a project around acid and kerosene oil burn victims. I worked with a non-governmental foundation called Depilex Smile Again Foundation which helps burned women with reconstructive surgery, rehabilitation and therapy.
There are currently over 400 women waiting for reconstructive surgery after acid attacks in Lahore, Pakistan."
Link: Izabella Demavlys Photography [Go to - PAKISTAN > Without a face]
"In the fall of 2009 I left for Pakistan to start a project around acid and kerosene oil burn victims. I worked with a non-governmental foundation called Depilex Smile Again Foundation which helps burned women with reconstructive surgery, rehabilitation and therapy.
There are currently over 400 women waiting for reconstructive surgery after acid attacks in Lahore, Pakistan."
Link: Izabella Demavlys Photography [Go to - PAKISTAN > Without a face]
Wednesday, March 10, 2010
Tuesday, March 9, 2010
Photography | Showcase: Too Busy for Leisure
"It wouldn’t be difficult to make fun of old people cheerleading in sequined leotards. But Kendrick Brinson’s images of Sun City, Ariz., are not harsh.
Her nuanced, color-saturated photographs — many of which recall the work of Martin Parr — sometimes depict the absurd."
Link: The Lens, The New York Times
Her nuanced, color-saturated photographs — many of which recall the work of Martin Parr — sometimes depict the absurd."
Link: The Lens, The New York Times
Photography | On Assignment: A Perilous Route to Marja
"A concrete corner of a demolished building juts from the earth out of what appears to be the middle of nowhere. In its sturdy solitude, perhaps — at another time or place — it could be a monument to a great war, a solemn reminder of destruction and loss. But on this day it provided cover from sniper fire. Or shade. Or both. This is Marja."
Link: The Lens, The New York Times
Link: The Lens, The New York Times
Photography | A Quiet Bridge to Young Victims
A very powerful gallery of young victims of sexual abuse in South Africa.
Link: The Lens, The New York Times
For additional images: Mariella Furrer Photography
Link: The Lens, The New York Times
For additional images: Mariella Furrer Photography
Monday, March 8, 2010
Saturday, March 6, 2010
Thursday, March 4, 2010
Photography | Captured: Ian Fisher : American Soldier
"For 27 months, Ian Fisher, his parents and friends, and the U.S. Army allowed Denver Post reporters and a photographer to watch and chronicle his recruitment, induction, training, deployment, and, finally, his return from combat. A selection of photos from Ian’s journey are posted below."
Link: Plog, The Denver Post
Link: Plog, The Denver Post
Wednesday, March 3, 2010
Photography | The Shooting War
"An exclusive collection of work by the world's most acclaimed conflict photographers." (Wow!)
Link: Foreign Policy
Link: Foreign Policy
Tuesday, March 2, 2010
Photography | The Swedish Document
In correspondence with www.50statesproject.net The Swedish Document has brought together 21 photographers from all across Sweden.
Each photographer will represent their home county during the year long project. Every two months each photographer will be sent an assignment by e-mail, they then have two months to produce one image in response. The images must represent both their style and the county they represent.
Link: The Swedish Document
Each photographer will represent their home county during the year long project. Every two months each photographer will be sent an assignment by e-mail, they then have two months to produce one image in response. The images must represent both their style and the county they represent.
Link: The Swedish Document
Monday, March 1, 2010
Photography | Showcase: Leisure as a National Mirror
“How do you capture a nation?” Simon Roberts asked. Here’s how he did it: with a 4-by-5 camera and a recreational vehicle. Mr. Roberts traveled across England in 2007 and 2008, photographing his countrymen among green expanses, wide beaches and shifting skies.
Link: The Lens, The New York Times (do not forget to use the FULL SCREEN option)
Link: The Lens, The New York Times (do not forget to use the FULL SCREEN option)
Photography | Essay: How Not to Depict a War
Link: The Lens, The New York Times
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